My piece on the Vatican’s pavilion in the Venice Biennale has just been published by Time.
The first thing visitors will see when they enter the Vatican Pavilion at the Venice Biennale—an art show dedicated to the modern and cutting edge—will be a nod to the past: a three-paneled triptych on which the 20th-century Italian artist Tano Festa reproduced details from Michelangelo’s Sistine Chapel. The paintings, in tones of tan and ocher, serve two functions. They remind viewers of the Vatican’s past importance as a sponsor of art, and they serve as a frame for the rest of the show inside.
The theme for the pavilion, the Holy See’s first at the Biennale, which runs from June 1 to Nov. 24, is the same subject Michelangelo depicted in his famous ceiling: the opening chapters of Genesis. Spanning the history of biblical creation, from “Darkness on upon the face of the deep” through the collapse of the Tower of Babel, the events include the forming of the earth and the animals, the stories of Adam and Eve and Cain and Abel and Noah’s flood.
Read the rest.